In one of my modern guilds, several of our members have volunteered to teach techniques we want to try out. Some of these may be more “art quilt” than strictly “modern quilt”, but what matters is that the members want to learn the technique, not how it could be classified.
One member who does some fantastic art quilts is going to teach us how to use colored pencils intended for fabric. At the last meeting, she suggested that we get a head start by making a palette of the pencils we have so we won’t be wondering how the color will turn out when we do her project. I had this grid-print fabric from another project, so I used it for my sampler
After reading an article in Quilting Arts about how to use pencils on fabric, I got some textile medium to try To make the sampler above, I brushed a thin layer of fabric medium on the square, then applied pencil. The color went on smoothly while the textile medium was damp.
I haven’t yet tested how colorfast it may be. The woman who will be doing the program applied her pencils directly to the fabric (without textile medium), then brushed with water. The colors had a lovely watercolor-like appearance as they bled a little into each other. I presume the textile medium will hold the color and prevent that bleeding. That would be good for things where precise placement is needed, but of course sometimes fuzzy edges might look better. More to come!
I’ve been blogging about the monthly challenges and programs at my modern guild, hoping it will be helpful to some of you who need challenge or program ideas. Here’s a recent one: we made fabric postcards.
I gave out pieces of Peltex 71F cut 4″ x 6″ to use as the stabilizer and backing for the cards. I gave no further guidance, though I did bring an example to pass around.
Here is the example
I probably should have provided a handout with some basic instructions, since we have members with quite variable skills, as do most guilds. Anyway, here are some of the postcards people made. As you can see, they varied in technique quite a bit, and all were fun.
Kim’s clever Bee Kind postcard–she paper pieced the bee!
Somebody had some cute quilt lady fabric and put a nice frame around it
Coffee is always popular, and the fusible broderie perse worked well
Somebody else stitched elaborate designs like Zentangles on hers
Bev made a bird with a nest of torn strips and beads sewn on for eggs
Mine was titled “A Different UFO”. I’ve had that UFO button a long time!
After over a year of dawdling, I have finished my quilt from the beautiful Lombard Street pattern by Sassafras Lane Designs.
“Amish on Lombard Street”, my quilt made from a Sassafras Lane pattern
I rarely use patterns, since I prefer to design my own quilts, but this one caught my eye! The “trick” is that it is paper pieced, which helps all those points come out nice and sharp. The pattern is well written and the instructions are clear. I had no trouble from that quarter.
I did have trouble when I decided to quilt it myself, and ended up taking out quilting from the entire quilt, then sending it off to my favorite longarm quilter! She did a great job, and I’m happy to say I had the perfect binding waiting when the quilt came back to me 🙂
And look at that nice angular quilt pattern that reinforces the overall design!
Here’s a picture of the original pattern, courtesy of the Sassafras Lane site:
I haven’t made any of the other patterns from Sassafras Lane, but I was very satisfied with this one, and they certainly have some cheerful and interesting designs. I do recommend checking them out if you like cute modern patterns.
Here is the couple I made the T Shirt wedding quilt/guest book for. They seemed happy with the quilt, and enjoyed pointing to the various shirts and talking about them.
Neither my submission nor that of my friend Clare will be touring with the Threads of Resistance show, but I’m glad I made the quilt anyway. There were so many interesting entries (550 in all!) that I’m just glad to have submitted something.
You can see the whole range of submissions here, and the ones that were selected for the show here. I was particularly happy to see several tributes to Senator Elizabeth Warren.
You can see Clare’s submission here, and my favorite submission here. Hint on my favorite: It’s titled “Trumpty Dumpty” 😀 If you want to see mine again, I blogged about it here.
And finally, an update on my project with Jane Sassaman fabrics. I decided on this layout, which sort of swirls the blocks in a spiral.The quilt is to be a queen size for my bed, so it needs to be bigger. However, I never found a companion fabric that suited me for the borders, so finally I ordered another 4 yards of the original fabric! More later…
One of our daughter’s former room mates is getting married and asked if I would make a T shirt quilt from shirts both she and her fiance have gathered in their various athletic pursuits.
She decided to use the back of the quilt as a guest book, then use the quilt on their couch as a wedding memento. I thought that was a great idea! Who ever looks at the wedding guest book again? The quilt, however, is a fun combination of “his and hers” and will serve a useful purpose after the wedding.
I ordered this cross-hatched backing, thinking it would be relatively good for people to sign.
Carolyn Friedlander fabric, 108″ wide
I used very thin polyester batting (Quilter’s Dream Request Loft poly) so the quilt will be fairly flat for signing. We’ll use fine point sharpies I am leaving the backing unwashed in the hope that the finish on it will limit bleeding.
The wedding is only a couple of weeks away, so I’m off to deliver the guest book!
After 3 weeks and 3 quilts, here is the one I finally finished for the 2017 Quilt Alliance contest. The first two quilts were OK, but I like this one best, so off it goes.
For Quilt Alliance contest 2017, 16″ x 16″
The contest theme this year is “voices”. As I made this little maze, I thought of college students in their world of endless possibilities, talking all night about the meaning of life. I thought the bright colors and the maze were a good representation of that.
Detail of the quilt for the 2017 Quilt Alliance contest
The fabric is Cherrywood hand dyes, except for the bright yellow, which is a batik. I presume it is obvious that I cut everything with scissors and improvised the piecing as I went along. I quilted it on my Bernina, using lightweight medium grey thread to lend texture without showing too much.
Next week: a quilt to use as a wedding guest book. Thanks for visiting!
To be exact, YOW is the name of the quilt, not my reaction to teaching a curved piecing class 🙂
YOW is the class I’ll be teaching at Studio Stitch in Greensboro
The class is at Studio Stitch in Greensboro (NC), one of my favorite shops. To my surprise, I don’t have a picture of the quilt I’m using as a class sample, so I had to lift this one from the Studio Stitch website. There is no pattern for this quilt; it is just what I did with some really bright batiks and some nice templates from Elisa’s Backporch Designs.
I’m going to teach at least 3 different ways to piece these curves, so most anybody with some sewing experience can find success with at least one of the methods.
I got out some examples of my quilts with curved piecing yesterday to have them for display in class, and I was surprised at how many there are. Then I found all these pictures of other things I’ve made with curved piecing, so here are a few.
An attempt at improvised New York Beauty blocks
My “cocktail pillow”–to put out when you have people over for cocktails! (As if!)
My friend Gwen sent me her book on Christo, which she has used to write several blogs recently. Christo is the guy who goes around wrapping stuff in fabric, and Gwen got interested in the fabric involved. You can check out her blogs on the topic here.
So the book came in the mail yesterday, and look how it was wrapped!
This is such a great idea, to wrap a gift for a quilter in colorful fabric! And I’m enjoying the book, too 🙂 Here’s a picture of it.
Gwen is a textile expert, so I’ve been meaning for some time to ask her for any ideas abut this little table cloth I inherited from my Grandmother. I don’t know whether it was the era or she was just pretentious, but Granny had a lot of stuff that’s much fancier than anything I’ve ever cared to acquire. Here’s the back side of the cloth.
I thought at first it was hand-woven, but on closer inspection I believe it may be too regular and tight for a hand-woven cloth from the early 20th Century. Here’s a close-up.My only thought is Arts-and-Crafts era (early 20th Century) interest in handmade and ethnic textiles may have influenced this.
If Gwen has any ideas I’ll let you know. Just in case you like textiles, too 😉
I’ve used the same straight pins for years because they are smooth, sharp, and a little flexible, with glass heads that don’t melt if you happen to iron over them. Pins are very important in quilting! ( As always, I do NOT get payment or product for this review; I’m telling you about these pins because I use them.)
These pins used to come from the Clotilde catalog (IBC stands for “Imported by Clotilde”), but that business was sold to Annie’s Catalog a few years ago.
Recently when I ordered pins I noticed that Dritz also makes silk pins, and they were just a tad cheaper. I decided to try them. Here are both boxes of pins:
Those are the Dritz pins on the left, the IBC pins on the right.
The Dritz pins came in a nicer box than the pins from Annie’s. They might even be better pins if I were sewing on thin, lightweight fabric. However, they were thinner and even more flexible than the IBC pins, and that made them actually difficult to get through quilting cotton!
There is a larger IBC straight pin for quilting, 1-3/4 inches long!
I don’t like the size of these larger pins, but I expect that for some projects they would be better. For now, I’m sticking with my regular IBC pins.
Any other suggestions for great quilting straight pins?
So, while I was on a Jane-Sassaman-fabric kick, I got this piece to use for practice.
Flower Fiesta by Jane Sassaman
And I cut it up into triangles and made this top. This was just for practice, so I sewed it together all the way and added borders of another Sassaman fabric.
This practice quilt is 54″ square
I think I like the print borders better than the solid black I was trying out on the “real” Sassaman quilt I blogged about last week. This practice one is about 54″ square.
Meanwhile, my friend Jean suggested I look at quilts by Bruce Seeds. He doesn’t distribute the blocks randomly as suggested in the One Block Wonder books, he uses them to make a big design (from all the blocks with fancy little designs). Check out his quilts here: BruceSeeds.com. They are terrific! He has used little strips of fabric to outline parts of quilts, as I was thinking about doing. And he’s obviously used more than one fabric in some quilts. I’m definitely going to study his quilts more before I decide on a final design for mine.