I’ve been working on a project to be published in Modern Quilts Unlimited in late summer, so there have been no pictures of current sewing lately. However, that is now finished and I’m focusing on several other projects coming right up.
First, I’m going to be teaching a very un-modern quilt at Studio Stitch in Greensboro in May.
Sunbonnet Sue Visits Quilt in a Day
This is an old, old Eleanor Burns version of Sunbonnet Sue but the pattern is still available. It’s the easiest way I know to do perfect applique! And it’s fun to add trinkets, like this fish bead hanging from Overall Sam’s fishing rod:
Also, I’ve signed up for Quiltfest. Luckily, it’s in July when I’ll have some vacation time available again. I’m going to be making a boxy tote with Carrie Licatovich and a star quilt with Renny Jaeger. Then I’m signed up for “shibori resist with indigo dying”, taught by Debbir Maddy. Which reminds me, I haven’t used the fabrics I made in my last dying class… I always enjoy Quiltfest because it’s just the right size: There are well-known teachers, but not a crush of thousands of participants. And of course there are sales at Tennessee Quilts, too! Oops!
Finally, I’ve finished a donation quilt. I’ve gotten far, far behind on my donation quilts, so those will be floating to the top of the to-do list soon. Here’s the first one, finally quilted and bound:
The concentric squares are pieced; the other pieces are a print from Michael Miller
Do you have any fun quilt events coming up?
This is part of my occasional series on guild programs, with the hope that it will help others who need to come up with program ideas.
Our modern guild has no money to hire speakers, so we are taking turns sharing our talents. One of our members recently volunteered to teach us block printing on fabric, and she furnished all the materials herself!
Suzanne brought a beautiful print she had made as an example
A few of us had done block printing in the past, but these blocks were much easier to carve. Apparently the block medium is now made of soft rubber rather than linoleum–a big improvement for the hands and wrists.
Some people carved abstract designs, using the whole block
Everyone got a square of rubber to carve. Some people carved a design on the square using the entire thing. Some carved an object and then cut out around the object so that it could be glued to a board backing for easier handling.
It was fun to see what everyone did.
Then we were given ink and encouraged to mix the colors, either to produce a variegated print or to produce a secondary color.
The prints were amazing and fun.
I didn’t get a picture of the block used for these fish, but they were very successful.
Our challenge for next month is to use the printed fabric in a project. Can’t wait to see what everyone does!
One of my online friends, Chela, reminded me that nature is a great inspiration for quilts (as well as other art). So here are some of my favorite nature pix.
I love plants and flowers of (almost) all kinds, so they are a frequent subject:
Can you see the bee?
It’s a Jack-in-the-Pulpit right beside my back steps!
Kenilworth Ivy is a favorite, and I like the pattern against the rock wall
The forest floor on one of our hikes
Any nature picture is improved by adding a grandchild!
Like most folks, I take pictures when we travel, some for the colors, some for the general scenery.
The colors are monochromatic, indicating how this little guy survives in the Canadian Rockies (when he isn’t begging from tourists)
One of these days I’ll use this picture, made on the Blue Ridge Parkway, as inspiration for a landscape quilt
The colors in New Mexico are always fascinating, and the sky so big
The one thing I don’t do, and don’t intend to do, is print my photos on fabric and put them in quilts that way. I use them for shapes, colors, arrangement of forms…but for the purpose of interpretation, not direct copies.
How do you use your photos in your quilts?
I’ve been thinking about what inspires my quilt designs, and the first thing that came to mind was the beautiful or fun or amazing quilts I see at shows, guild meetings, retreats, wherever. Here are a few of my favorite quilts for inspiration.
I love the variety of bright colors and the tiny pieces in this one:
Quilt made by Jerri from TINY pieces of Liberty of London fabric
And this is a favorite because of the bright colors and eccentric design:
Cinco de Mayo, made by Renny Jaeger; pattern by Karen K Stone
This unusual design appeals to me:
Rena was given a circle cutter at the last retreat, and she went wild!
Pamela Wiley’s excellent workmanship and eye-popping designs make her quilts among my favorites:
Outside In by Pamela Wiley
I like the use of color in this next one, as well as the movement generated by the curved piecing and curved quilting:
In the Marsh #2, by Carol Bryer Fallert-Gentry
And this one reminds me of Maine, where we lived for a while:
Coves and Islands by Carol Anne Grotian
What inspires your designs?
My modern guild loves dirty Santa games and loves pincushions, so a recent challenge involved making a pincushion to swap. I found a nice cup and saucer at a thrift store and decided to make that into a pincushion.
I previously researched tutorials for making pincushions and learned that ground English walnut shells are one of the best types of stuffing for them. The shells are heavy (dense) enough to keep the pincushion from coming up with the pin you are trying to remove from it, and they are ground fine enough to allow pins to be stuck in easily. Ground walnut shells are available in pet stores, where folks apparently think I want them for my pet lizard to use as desert sand. (They’re mistaken about that, but I bought the ground walnut shells anyway.)
The problem was how to get the walnut shells firmly packed into a nice round ball that would fit smoothly into the cup. I solved that problem by rescuing a discarded athletic sock from the trash, which is why there’s a sock in the picture of the cup above!
I cut off the toe of the sock, stuffed it with ground walnut shells, and closed it tightly with a rubber band.
I patted the filled sock into shape so that it fit nicely in the cup.
Then I cut a circle of fabric and gathered the edge with a long machine stitch.
After drawing up the edge of the circle as much as I could around the base of the sock, I finished drawing it tight by adding another rubber band.
And before you ask, the size of the circle was a guess–I just used the largest circle on my circle cutting template.
Finally, I stuffed the whole thing into the cup, rubber band side down. It was heavy enough and fit tightly enough that it did not need to be glued in. I did glue the cup to the saucer, however.
And that was it! So easy and so fun!
In case you haven’t been reading my blog long enough to know about the condom quilt, here is a brief summary:
- A couple of years ago I wanted to make a quilt from a QR code in such a way that the entire quilt top could be scanned to open the target website. Since I was going to be putting in a lot of effort, I wanted a QR code that had some meaning for me.
- At that time I was working in public health, spending much of each day helping patients cope with various problems that might have been prevented by appropriate use of condoms.
- When I looked for a condom-related QR code, I found that Planned Parenthood of the Great Northwest and Hawaiian Islands (PPGNW) had developed a QR code to be placed on their condom packages. Scanning the code linked to PPGNW’s “Where Did You Wear It?” site. The goal was to encourage safer sex through condom use.
The Original Code
My colorized version of the code
PPGNW graciously agreed to let me use their QR code in my design. I colorized their code and made my quilt, checking after construction of each section to be sure the whole thing still scanned correctly.
This is the finished quilt. That tiny embedded QR code leads to my blog.
I showed the quilt anywhere I could. (It isn’t just younger people who need safer sex.) That included guilds, quilt shows, and the folks in my office. After a year of showing it to anybody who would listen, I donated the quilt to PPGNW to be used in any way they wish.
I was very pleased recently to receive this picture of the PPGNW management staff with the quilt. That funny looking guy is their condom mascot.
The folks at PPGNW report that the quilt has sparked discussion, especially about the interaction of traditional crafts and technology. I enjoyed this quilt from start to finish and I’m glad it is now in its home.
Last Saturday I taught my “secret valentine” pillow at Studio Stitch in Greensboro (NC). Here are a few pictures of the finished pillow covers with their proud makers.
I’ll be teaching Yow again this spring, this time at A Stitch in Time in Franklin, NC. The class is scheduled for Friday, April 6. This is a lively quilt, and I teach three different ways to piece a curve perfectly.
This is made with bright batiks and templates from Elisa’s Backporch Design
What have you been up to?
The Gypsy Wife quilt is quilted, and bound, and ready to go to its “forever home”, as our daughter calls it when one of the animals she fosters is adopted.
I recently read a post listing pictures we supposedly should take of every quilt, and thought “not”. I think Rita, at Red Pepper Quilts, does one of the best jobs anywhere on her photos and posts about her quilts. She includes enough pictures for me to get a good idea of the quilt. Even better, she lists “statistics” about each quilt at the end of the post. So here’s my attempt:
First, a picture showing the back and giving a closer view of the binding:
Then, a picture of my favorite block. OK, that wasn’t Rita’s idea, but I like it 🙂
A picture showing the quilting:
Gypsy Wife Quilt
Pattern: Gypsy Wife by Jen Kingwell, with several modifications by me
Fabric: Just A Speck collection by Jen Kingwell,
Moda Grunge in various colors
And a few others
Finished Size: 61” x 66”
OK, did any of those pictures or details add to your experience of the quilt?
One of the things I love about blogging is hearing from people who comment and share their ideas. Here are a couple of ideas that I thought you might enjoy, too.
When I blogged about some household items that are useful for quilting, Peggy commented that she cuts up her old calendars and uses the numbers to label her blocks and rows.
It was the perfect time of year for that handy hint, so I promptly cut up an old calendar. The numbers worked great for labeling pieces for a complex project. I clipped them to groups of fabric for the various sections of the quilt using binder clips–an idea I got from Judy Niemeyer’s class years ago.
Another friend, Claire, responded to my post on making single-color slabs by asking what I do with fabric that is a mixture such that no one color predominates. I had been cutting out sections based on the predominant color, and that seemed to work. But…
When I came to this piece, I realized I had NO desire to cut out chunks small enough to be mainly one color. Then I started looking and saw that I had a number of prints from which I would NEVER be able to cut single-color pieces of any size.
So I made a block of multi-color pieces. It is pretty wild, but so were some of the fabrics that went into it. I’ll see how it looks with the single-color blocks when I assemble a quilt. What do you think? Make more of these or give up on the truly multicolored fabrics for slabs?
After finishing a big project and preparing classes for the next quarter, I took a little break and used some of the scraps from the unsorted pile. This is where scraps go before I cut them into the standard sizes I use for storage.
Cheryl Arkison, who blogs at Dining Room Empire, calls this type of block a slab. Of course the idea of joining scraps as you find them has been used by many people in various ways. I really enjoy making them in a single color, so I made a few when I had a minute.
Of course, this didn’t make a dent in the scrap pile, but it was fun! Has anybody out there found a way to make a real dent in the scrap pile? It seems to me to grow and grow, with no decrease in size no matter how many scrap quilts I make!