Threads of Resistance

My friend Claire made me aware of Threads of Resistance, “a juried exhibition of work created to protest the Trump administration’s actions and policies”. I usually avoid politics here, since this is a blog about quilting.  But I am very concerned about some of the Trump administration’s plans, so I’m making an exception.  Here is my quilt, the Statue of Liberty wearing a hijab, because it’s un-American to exclude immigrants based on religion.

Threads of Resistance quilt

The Statue of Liberty stands for freedom, including freedom of religion.

As always, I learned a lot doing this.  First, there are a TON of public domain pictures out there.  I finally found a couple showing the Statue from the perspective I wanted, and sort of improvised from there.  Second, it IS possible to find verdigris-color fabric, and it’s easier than I thought because everyone seems to have a different idea about just what shade “verdigris” is.

I drew my design on a big piece of paper then traced it onto the verdigris fabric.  I quilted the rays on the background, then cut out the statue and horizon pieces and fused them to the background.  I consulted one of Sue Bleiweiss’ books about how to do the black outline, but ended up not using her method because I was too far down my own road before I consulted the book!  I would like to say I think a project through thoroughly before beginning, but the truth is that often I have no idea how I’m going to do something until I’m doing it!Threads of Resistance quilt

I outlined most of my drawn lines with black thread, but then had to go back over the lines in the face with marker to make them stand out.  One final lesson:  Kona cotton was a poor choice for fusible applique; the weave is much too loose. I had to fray-check the edges even after I fused them, and then had to go back and trim some “whiskers” even after I had satin stitched the edges.  From now on I’m sticking to Michael Miller Cotton Couture, which is a much finer weave (similar to the hand of the batik here, which gave me no trouble with fused applique).

If you’d like to make a quilt to submit for the Threads of Resistance exhibit, which is juried, click on the highlighted name and it will take you to the link you need.  And if you disagree with my politics, please do not take offense–allowing differences is what America is all about.

 

Pamela Wiley Quilts in Savannah

While in Savannah for QuiltCon, my husband and I happened on an exhibit of quilts by Pamela Wiley, a professor emerita of SCAD (Savannah College of Art and Design).  I’m sorry I missed her class at QuiltCon, but the exhibition of her quilts was terrific!

SCAD, Pamela Wiley quilt

As Above So Below, by Pamela Wiley

Pamela Wiley’s quilts are stretched tight and framed, so that when we looked in from the street we were not sure at first whether we were looking at paintings or quilts.  Once in the gallery, it was apparent that these were real quilts.

Pamela Wiley quilts

Mineralogie by Pamela Wiley

Little information was given about the materials used; each label simply listed “stitched cotton”.  However, the stitching was used to distort the cotton, not just in the usual way by making raised and depressed areas with stitching and batting, but also by slightly moving printed lines so that the surface appeared warped.

Pamela Wiley art quilt

Detail of Outside In, by Pamela Wiley

Stitching was used to add layers of color and to distort commercially printed fabric in ways that fooled the eye.

art quilt, Pamela Wiley quilt

Outside In by Pamela Wiley

I took a number of pictures, with permission of the guard for the exhibit.  If you want more, there is an article about her work in what I call “art school language” here, and many pictures of details of her quilts on Instagram here.  I’ll be looking for quilt shows where she may teach in the future!

Pamela Wiley quilt

Houndstooth Hurdy Gurdy by Pamela Wiley

art quilt, Pamela Wiley

Detail of Houndstooth Hurdy Gurdy by Pamela Wiley

Pamela Wiley quilt

Detail of Houndstooth Hurdy Gurdy by Pamela Wiley

Pamela Wiley art quilt

detail of Holding Space by Pamela Wiley

Pamela Wiley

Holding Space by Pamela Wiley

Pamela Wiley art quilt

Full Circle by Pamela Wiley

art quilt

Detail of Full Circle by Pamela Wiley

Pamela Wiley

Detail of Full Circle by Pamela Wiley

Oh, and if you aren’t already intimidated, let me tell you that all these quilts were dated 2016!!!

QuiltCon Charity Quilt

The Modern Quilt Guild of Franklin (NC) has been working on this quilt designed by Sarah Overton of My Crowded Nest.  It is paper-pieced octagons,and the paper piecing certainly has helped it go together more smoothly with so many different people working on it.franklin-quilt-1

Several people took papers and fabric home to do a row at first, then we all met several times to put the rows together.franklin-quilt-3

We were working from a plan, but color placement was still a challenge!franklin-quilt-4

Of course the colors were chosen by the national MQG, but we added a few prints to liven things up.franklin-quilt-2

And finally, the top is done!franklin-quilt-6

It’s going to be quilted by Andrea Walker, so I’ll be sure to show a picture of the final quilt when it’s done.  After QuiltCon, it will be donated to our local hospice.

Guild Challenges, Part I

When I volunteered to arrange programs for one of my modern guilds this year, I didn’t realize the job included coming up with a challenge each month.  Luckily, there were lots of ideas for guild challenges in internet-world, so the challenges weren’t too much of a challenge.  (Sorry, that just slipped in!)

I thought it might be helpful to other modern guilds if I posted our proposed challenges, since I’m sure other folks are in need of ideas, too.  So here’s the first one: slabs.  If you don’t know what a slab quilt block is, Canadian quilter Cheryl Arkison published the idea in her book Sunday Morning Quilts.  You can see a picture and instructions here.

modern quilt challenge

Slabs can be addictive!  And a quilt of many colors is fun.

In January, each member received brief instructions on how to make a “slab” of a single color of the rainbow.  Sort of.  While trying to figure out how to set up the rainbow challenge, I found this quote from Isaac Asimov (one of my heroes):

It is customary to list indigo as a color lying between blue and violet, but it has never seemed to me that indigo is worth the dignity of being considered a separate color. To my eyes it seems merely deep blue.

So our colors for the challenge are red, orange, yellow, green, blue, purple.  Seems like the main value of indigo and violet is that they let us spell out ROY G BIV.  Huh.

Our slabs are 15-1/2 inches square, to be 15 inch finished blocks.  Each person makes one in her assigned color, then can make as many others as she wants in as many of the six basic colors as she wants.  At the next meeting, we’ll put all our slabs in a pile and each person’s name will go in a basket once for each block she turns in.  Then we’ll draw a name and somebody gets all the blocks.  Of course she’s expected to make something wonderful with those blocks before the next meeting!

I e-mailed examples of slab quilts to guild members as part of the challenge and also took some of my quilts to show.

slab quilt

Jerri Szlizewski combined her purple slabs with neutral slabs, then appliqued purple dots on the neutral backgrounds

Improvised slab quilt

I cut up the yellow-orange slabs I got in a swap and inserted blue

Does your modern guild have some great challenge ideas?  Let me know!  I’ll be posting about our other challenges as we go along so you can use them, too.

 

QuiltCon, Anyone?

QuiltCon, the Modern Quilt Guild’s annual gathering, will be in Savannah in February 2017, and I am going!mqg-new-logo

I recently read an interesting blog by Becca Fenstermaker about how to deal with a convention when you’re an introvert.  Believe it or not, that would be me, so I plan to use her idea.

Becca’s main suggestion was to start ahead of time and try to find people who will be attending, so you’ll have somebody to visit with when you get there.

Fortunately, there will be several people from at least two of my guilds, but of course the point is meeting new people as well as visiting with old friends.  So if you’re going, please leave me a note in the comments–I’d like to met you!

Meanwhile, I’ve made two more clusters of sweet pea pods.  The pattern is well illustrated and the directions easy to follow 🙂

Hope you have a good week!

Finished! In 2016

First, the Christmas tree picture with fireplace was at the Grove Park Inn, in Asheville, N.C. That fireplace is big enough for a man to stand up in. Hopefully when there’s no fire.

And now, the 2016 finishes.

Asheville Quilt Show

Scan Me, a quilt made to promote safer sex.

improvisational quilt

Cherrywood Toss won a blue ribbon.

art quilt, gwen marston

Refrigerator quilt inspired by Gwen Marston. Bev Manus came up with the idea for refrigerator quilts.

modern sampler

My Modern Sampler Quilt

improvisational quilt

“Gwen Visits the Farm” is the quilt I made for the Quilt Alliance contest this year

Quilted Adventure

Roxie bag made as part of Quilted Adventure online retreat

Loes Hinse blouse

Blouse from a Loes Hinse pattern, in Cherrywood fabrics

Tumbling Blocks

Tumbling Blocks placemats, made in class with Karen Combs

Sweetpea Pod pattern review

These Sweetpea Pod bags were so fun that I made a LOT of them!

And, of course, the quilts for Ronald McDonald House:

Happy new year, and may you have a great year of quilts in 2017!

Slabs, Round 2

Cheryl Arkison is one of several people to suggest putting together scraps of the same color to make a quilt block (or fabric from which to cut quilt pieces).  Cheryl calls hers “slabs” and makes them big–15 inches square finished.Mary J Puckett quilt

Above is the quilt I made from a slab swap with one of my quilt groups a couple of years ago.  I had asked for slabs made from the yellow/orange family, and I loved what I got.  But I’m not one to leave well enough alone, so I cut them up and made the quilt shown above.

A relative-who-will-remain-nameless looked through my quilts online and asked for something similar, but in a larger size.

I’ve had fun collecting orange and yellow fabrics.  My friend Linda donated a large bag of orange “scraps”; I felt free to ask her since she claims to hate orange 😀  Then she brought me a big cut of solid orange to go with the scraps!

slab quilt

Linda even found an orange patterned bag to put her scraps in!

The rest came from my stash and from a few things I bought while travelling.  I improvised the squares, featuring a few funky fabrics in each one from the fabrics I bought especially for this quilt.

Then I used Moda Bella Amelia Blue to sash each square and cut the sashing so they are all wonky.  Each will finish 18″ square with sashing.orange4

This one will be big enough that it will need to go to the long-arm quilter.  I’ll have more pictures when it’s finished.

Meanwhile, how are those holiday projects coming along?

 

Two Quilts, 3 Reviews, 4 “Learning Experiences”

“Wow!” my husband said, as he watched me taking quilting stitches out with my new skin4electric seam ripper.  And his is an informed opinion, since he has seen PLENTY of seam ripping over the years between my adventures and those of his 3 sisters.

So here’s the story:  I designed a quilt made of all equilateral triangles, in all solid colors, several years ago.  It was one of those projects that looked better in my head than in reality, so I backed up and started again.  (Learning experience #1: this design stinks.)

The Lombard Street pattern by Sassafras Lane caught my eye, so I ordered it, thinking I probably could re-cut my blocks to work.  When the pattern arrived, it was just as beautiful as it looked online, and the block size was such that I could, indeed, salvage my fabric. But it is paper pieced–not my favorite technique.  (Learning experience #2: check the construction method before ordering!)

In any case, I got the top made and was pleased with the result

modern quilt

The pattern is Lombard Street, by Sassafras Lane Designs.  The blocks are on my design wall.

Review #1:  the Lombard Street pattern had excellent instructions, and came out just as great in person as it looked on the pattern.

I layered the quilt with Quilter’s Dream bamboo batting.  Review #2:  The batting felt just wonderful, soft and with a good drape.  But OH MY did it make a mess of the black fabric!  I don’t know how, but it kept giving off lint that completely covered the quilt top.  I LOVE Quilter’s Dream batting and use both the poly or the cotton request loft almost exclusively. But this bamboo!  Yikes!  My trusty lint roller fixed that.  Several times.  (Learning experience #3: I won’t use bamboo batting again.)

It’s a long story, but after several trials, I decided to use Metrosene poly quilting thread in dark grey, thinking it would blend in with all the fabrics.  This strategy has worked well on several other quilts, but not so much this time.  I didn’t like the way it looked–when I had the quilting 80% done!!!  (Learning experience #4: stubbornness isn’t always a virtue.  Sometimes sticking with the task is not the best option 😀Review: Lombard Street pattern

Enter the electric seam ripper.  I went online and researched just HOW other people had gotten the quilt stitches out of quilts in similar situations.  I read about 3 different electric seam rippers and watched demos on You Tube.  I purchased one, put in a AA battery, and got to work.Review: electric seam ripper

By the way, removing the backing from a quilt this way, in order to remove the quilting stitches, is called “skinning the quilt” according to my online research.

Review #3:  The electric seam ripper worked amazingly well!!!  I had the entire top un-quilted by 1 p.m., and I did two loads of laundry, made breakfast and lunch, and put dinner in the crock pot besides!  I had to use a traditional seam ripper where I had made tiny stitches at the sharp corners, but otherwise it went very fast.  The only holes created were a tiny hole in the batting made with my traditional seam ripper, and a tiny hole in the backing made by the electric seam ripper when I tried to insist that it cut through those very close stitches (it just said no).electric seam ripper

The discussions online reported being able to lift the top quilting thread off in one long piece.  As you see, that didn’t work for me–maybe when I’ve had more practice?  (Oh please, no more practice!)  Anyway, the trusty lint roller saved me again.

And this top is going to a long-arm quilter.  Done!

 

 

One UFO Makes 3 Quilts!

I made these “prepared fabric” squares some months ago with John Cage’s “prepared piano” in mind.  Then they sat in a box while I wondered what to do with them.

At a quilt retreat, I got some of them out and put them together into a 40″ x 44″ quilt top for Ronald McDonald House.nov-ufo

So the November UFO (UnFinished Object) project was to do something with the rest of those squares.  I modified them further and made 2 more Ronald McDonald quilt tops, each 40 inches square.

That UFO box is empty!  There were a few scraps for the scrap bin, and 3 blocks for the orphan block bin, but that project is DONE!

Sort of like that turkey…how was your Thanksgiving?

Quilting Thanksgiving

Gratitude is always a good practice, so it’s especially nice to have a holiday specifically dedicated to thanksgiving.  Here are 10 reasons I’m thankful for quilting:

  1. Every project is a new learning experience.  Even if it is, sometimes, “another *%@!! learning experience” 🙂

    rotary cutter accident

    A learning experience!

  2. There is no failure. Projects that don’t turn out as planned can be recycled into something.  (It may take a while to figure out what.)

    This one had to be cut up and made into placemats!

    This one had to be cut up and made into placemats!

  3. Friends.  Quilting is a great way to meet interesting people and make new friends.  I love making friends online, too, even though I may never meet them in person.  It’s such fun that people from 3000 miles away follow my blog and I follow theirs.

    A new friend holding up one of my quilts at a recent guild talk

    A new friend holding up one of my quilts at a recent guild talk

  4. Quilting is a great creative outlet, whether or not I choose to be an “artist”.

    Gwen Marston iQuilt class

    Quilt made for a class with Gwen Marston

  5. Gifts.  I’ve made quilts, placemats, table runners, potholders, and bags to give to friends.

    Divided basket made from pattern by Noodlehead

    Divided basket made from pattern by Noodlehead

  6. Opportunity to give to the community.  I make quilts for Ronald McDonald house.

    One of my quilts for Ronald McDonald House

    One of my quilts for Ronald McDonald House

  7. Color!  Who doesn’t love playing with all the beautiful fabrics?

    Yummy fabrics at Studio Stitch, where I sometimes teach

    Yummy fabrics at Studio Stitch, where I sometimes teach

  8. Socializing: it’s great to get together and work on a project with friends.

    An especially quilty friend!

    An especially quilty friend at a sewing group

  9. Being alone: it’s equally great to spend a quiet day alone in my studio

    View from my home

    View from my home

  10. Problem solving: Many projects present problems that need to be solved, and I love the challenge.

    modern quilt

    I enjoyed the challenge of designing and making this quilt

What are you thankful for?